Adriana Barrios creates multimedia work that explores the rapidly deteriorating coastal borderlands of San Diego due to climate change, while drawing on the great disparity of loss between impoverished communities and more affluent ones. Barrios’ work is infused with poetic gesture, rhythm and quietness that belies the social consequences of climate change and its injustice. Barrios works in collaboration with scientific researchers at Scripps Institute of Oceanography, combining printmaking, photography, video, and papermaking to give voice to coastal erosion, tidal patterns, wave activities and detrimental human activity.

Angelica Contreras studied art in Guadalajara, Jalisco, Mexico, before settling in Madison. Her bold layered portraits explore the complex relationship between identity, traditions and pop culture using collage and multiple painting techniques. Contreras seeks to bridge various communities with her work, and is a member of Colectivo Synapsis, a group of Latino artists that focus on social justice projects that impact communities in Southern Wisconsin. Contreras was also named a Forward Art Prize semi-finalist in 2019, which came with a $1,000 unrestricted grant from Dane Arts.


Jennifer Angus creates highly provocative site-specific interior installations using hundreds of insects, painstakingly pinned to walls in patterned arrangements that suggest wallpaper and textiles. At a distance, her designs resemble an interior domestic space. However, upon closer inspection, viewers discover that the ornate patterns are formed of insects, causing feelings that fluctuate between wonder, disbelief, and awe. Angus’ goal is to elevate the status of insects, all of which play a vital role in the food chain, pollination, decomposition, and all of life itself.  Recently cited as ‘one of the most important installation artists in the country,’ her solo exhibition is currently on view at the Museum of Fine Arts in St. Petersburg, FL.

Dakota Mace (Diné) is a Navajo artist who investigates cultural appropriation, identity, and her Native culture using photography and textiles. Mace re-contextualizes creation stories, cosmologies, and social structures, incorporating concepts of balance with nature in her work. Through her bold textural work, she creates complex pieces that comment on historical identities and lineage, creates a bridge to understanding Native American traditional practices, and reinforce a positive representation for Indigenous peoples. Mace’s work is currently on view at the Madison Museum of Contemporary Art and at the Art + Literature Lab, in Madison, WI.

Web design by Tsela Barr Design, Amber Westlund, Anabella Driz and Peri Coskey

Website made possible through a generous grant from Madison Arts Commission

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